karnival

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21, Latvia

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karnival's Interests

General

psych-horror, folk horror, gothic rot, class rot, bureaucracy as its own horror subgenre (the DMV IS lovecraftian, argue w me), transylvanian strigoi/moroi lore bc i am UNWELL about it specifically, historical accuracy as a personality trait at this point. comedy only counts if it's secretly dead serious. i want the aftermath not the disaster, the disaster's boring, show me what's left standing. no romance unless it's gothic about it, this is not a negotiation

Music

gothic/deathrock, visual-kei, psychobilly, horrorpunk, italo-disco, eurobeat, happy hardcore, breakcore, glitchcore, witch house, darkwave, dark folk, dark ambient, balkan brass chaos, tchaikovsky n shostakovich at 2am no questions asked, avtorskaya pesnya, cabaret, dvorovye pesni, unreasonable amounts of bms/iidx. genre loyalty is not a thing i believe in, my ipod would need actual therapy

Movies

french cinema, švankmajer's puppet nightmares, soyuzmultfilm, giallo (style AS the entire plot, no further explanation offered), italian arthouse, żuławski, hungarian slow cinema, romanian new wave (basically my own folklore obsession's home turf, tracks), yugoslav black wave, kaurismäki's deadpan tragedy, so-bad-it's-genius trash cinema completely on purpose, musicals of ANY decade, zero shame, none

Television

utena. THE blueprint, permanent soul-anchor, everything else just orbits it, case closed. steins;gate, code geass, dorohedoro, madoka, serial experiments lain, paranoia agent, golden kamuy, dungeon meshi, baccano — n azumanga daioh for when my brain rage-quits n needs zero plot zero stakes just vibes

Books

poe, lovecraft, wuthering heights, kafka, kundera, bulgakov, gogol, kharms, borges, shirley jackson, angela carter, don quixote, the manuscript found in saragossa. also unironically deep in socionics, enneagram, mythology n astronomy bc apparently i need a whole classification system for the universe AND myself, no i will not be explaining this further

Heroes

utena obviously, kurisu AND suzuha (both equally me, don't make me choose), c.c. n her completely unbothered immortal exhaustion, franziska von karma arguing w full conviction over literally nothing, ryōshu n nikaido (loud, loyal, five seconds from violence or affection zero in-between), karin from fear & hunger, maka, fujino from look back (fujimoto knew exactly what he was doing), don quixote — novel AND limbus company version, both equally unwell, both equally correct

Games

visual novels n scrappy lil indie horror have my whole heart — steins;gate, saya no uta, umineko, house in fata morgana, yume nikki, mad father, psychopomp n anything living in that same lo-fi dread family. deep in project moon's whole universe too (limbus company, lobotomy corp, library of ruina), loyalty-through-violence my beloved genre. otherwise genuinely not picky — persona 5, ace attorney, whatever, if it's telling me a story i'm already in

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karnival's Bio

yo, i exist somewhere in the liminal zone between cities AND career paths, both hopefully a phase and not a personality. riga rn but let's be real it's a layover, not an address — actual plan is go grind cash in some grimy industrial nowhere-town in germany or the netherlands, hoard the money like a dragon, then bounce to czechia and get my uni arc going. daily internal wrestling match: engineering vs urbanism, both feel Correct and i refuse to pick a lane like a normal functioning adult, and apparently economics also wants a piece of me according to people who are Not Me?? the jury has left the building, no verdict, no eta

fair warning: i am interested in literally everything, equally, at the same volume, all the time. no hierarchy, no "main interest," just an open floodgate — if it exists i probably want to know how it works

certified transylvania girlie — vampires, werewolves, fog rolling over castles, the whole gothic starter pack, would move into a hammer horror film given the chance no notes. also feral for space and stars, and genuinely building toward the idea of a city of the sun someday — not as a fairy tale, as an actual design problem, streets and systems and people who are ok, the kind of thing you can engineer if you're patient and annoying enough about it, which. i am. also yes i contain both the person drafting a utopia AND the person who'd move into a hammer horror film without blinking, not a contradiction, just two shifts of the same brain

obsessed with tech, all flavors, all eras — japanese gadgets especially, the weird ingenious little objects that solve one specific problem perfectly, but honestly anything that looks cool AND does something useful gets my whole attention, function as aesthetic, i will read the whole spec sheet for fun

brain has no off switch, runs its own unhinged little catalog of the universe 24/7, zero preference between "gorgeous" and "deeply unsettling," will go feral if you show me the most niche unclassifiable thing you've got. hand me literally any classification system on earth and i WILL take it apart just to watch it click back together, same feral energy pointed at people too — not clinical, just genuinely need to know what makes you tick

socially: equally down for a one-on-one interrogation-style convo or getting thrown into full group chaos, genuinely zero preference, just bring something to talk about

i write, i draw, i run my own little personal plotlines on the side, and i am VERY open for contact — hmu, cowrite something unhinged with me, commit light-to-moderate collaborative war crimes, whatever, i'm here for it

born july 27th, behaving accordingly (i am not)

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